[DB] 트리케라톱스 디자인 쥬라기공원 Triceratops Jurassic Park

 

트리케라톱스 Triceratops

 

Jurassic Park Triceratops - Puppeteering an Animatronic Dinosaur

Creating Jurassic Park's Triceratops. Behind-the-scenes footage showing the animatronic techniques and rehearsal process behind JP's sick dino. 

April 16, 2013

Featuring JURASSIC PARK Triceratops Team Members Al Souza and Shannon Shea

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- 작은것의 시작에서 큰것으로 START SMALL TO GO BIG -

 

트리케라톱스를 구체화 하기 위해서 스탠 윈스턴 스튜디오는 디자인을 통한 실물 크기 퍼펫 조형물을 배우들과 하와이의 현장 로케이션애 함께 하도록 계획했다. 트리케라톱스 기술 디자이너 Al Sousa가 작업 과정에 대해 이야기 해줄것이다 : "우리는 실물 크기 조형물 이전에 작은 사이즈 버전을 먼저 만들었는데 Stan Winston은 그것을 통해 모든 디자인 의도가 잘 작동하는지 파악했다. 심호흡 기술은 기본적으로 내부에 상하 운동 가능한 레버를 위치 시켜 구현했다.. 꼬리 움직임 기술은 측면과 상하 운동 모두 구현되도록 디자인 됐다. 모두 유압 장치보단 기계적인 장치를 통해 풀어낸 것이다.

To bring to life JURASSIC PARK’s sick Triceratops, Stan Winston Studio designed and built a full-size puppet that performed alongside the actors on location in Hawaii. SWS Triceratops mechanical designer, Al Sousa, recalled the mech design process: “We built a small-scale version of the character before the full-scale so we could show Stan how everything was going to work. The breathing mechanism was basically a post underneath that pushed a lever up and down [to move] the skin up and down… the tail mechanism had movement from side to side and also up and down.
 There were no hydraulics in this character. It was all just mechanical.”

 

WATCH PART 1

 

WATCH PART 2

Pictured above: SWS Triceratops mechanic, Al Sousa, puppeteers the small-scale prototype.

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- 트리케라톱스 하와이로 가다 THE TRICERATOPS GOES TO HAWAII - 

트리케라톱스가 영화의 첫 번째 촬영 스케쥴이였고 또한 단 하루 동안만 하와이 현장 로케이션에서 촬영 가능한 상황이였기 때문에 "우리는 그들이 촬영을 시작하기 한달전 모든 작업을 완료해야만 했고, 시간을 제때 맞추기 위해 [배를 통해 운반]해야 했었다" 고 Sousa는 회상한다.

Since the Triceratops was the first dinosaur data-on the shooting schedule and was the data-only data-one that would be shot data-on location in Hawaii, “We had to have it ready a month before they wanted to shoot it, to give it time [to be shipped via boat]," recalled Sousa.

Pictured above: SWS dino team members Paul Mejias, Al Sousa & Rob Ramsdell load the Triceratops for her journey to Hawaii.

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- 공룡 포장을 풀다 UNPACKING A DINOSAUR -

 

트리케라톱스가 하와이 현장에 도착하자 곧바로 Stan Winston 팀은 거대한 퍼펫 조형물의 화려한 데뷔를 위해 현장 셋팅을 시작했다. "그들은 땅에 [거대한 구멍]을 파내 퍼펫 조정 인력들이 땅 속 밑에서 노출되지 않도록 만들었다.. 외부에서 작업하는 사람은 아래 사진 속 인물로 그는 눈 부분 조정을 담당했다" 고 Sousa는 이야기한다. "땅 속에 있던 인력들은 심호흡 장치 담당, 입 움직임 담당, 혓바닥 움직임 담당, 앞팔과 뒷다리 움직임 담당 이였고, 그 모든 것들은 전선을 통해 조정됐다"

When the SWS Triceratops team finally made it to Hawaii they immediately began setting up the dinosaur puppet for its big debut. “They dug [a big hole] in the ground with a platform over the top, so that all the puppeteers could be underneath… The data-only data-one that was outside was the guy doing the eyes with the remote control,” explained Sousa. “Everyone else was underground working the breathing mechanism, working the mouth, and the tongue. Working the forearms and the legs. Those were all cable controlled.”

Pictured above: SWS Triceratops team member Paul Mejias checks the RC eye movement on the giant puppet.

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- 트리케라톱스 디렉션을 받다 THE TRICERATOPS TAKES DIRECTION - 

"우리는 카메라를 설치하고 작은 구덩이에 모니터를 위치시켰다. Stan Winston은 우리를 마치 오케스트라처럼 지휘했는데.. 그는 공룡이 부드럽게 움직이길 원했다. 그의 말을 빌자면 어떠한 'herky jerky'한 움직임도 원하지 않았다" 고 Sousa는 말한다.

 

“We set up a camera and had a monitor underneath in our little pit down there. Stan was kind of conducting us like an orchestra… He was really, really about smooth movements in your performance. He didn’t want any of what he called 'herky jerky' movements,” said Sousa.

Shannon Shea가 윈스턴의 디렉션에 대해 자세히 설명했다 "스탠 윈스턴이 원했던 것은 트리케라톱스가 정말 아픈것처럼 보이도록 움직임을 조정하는것이였다.. 그는 입과 혓바닥의 움직임, 흉곽이 오르내리는 부분을 조정했다. 정말로 느리고 깊게. 마치 공룡이 마약에 취한것 처럼 말이다. 무슨 말인지 이해가 가나?"

Shannon Shea elaborated data-on Winston's direction, “What Stan really wanted to do was to coordinate the movements to make this Triceratops look sick… He wanted to coordinate the mouth movement, the tongue movement, with the rising and falling of the chest. Really slow and deliberate. The dinosaur has been drugged, you know?”

Pictured above: The sick Triceratops rests in the shade before her JURASSIC PARK debut.

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- 침, 고름 & 미세소포 SPIT, PUS & MICROVESICLES -

Shannon Shea 는 단하루 동안만 촬영 가능했던 평범한 현장 업무에 대해 즐겁게 회상했다 "대부분의 사람들이 구덩이에서 일하고 있을때, 나는 바깥에 있었다. 나는 그날 촬영 현장에서 공룡 분장에 대한 업무도 맡았기 때문에 [눈]부분 조정을 담당하게 됐다. 나는 고름과 침, 콧물, 눈꼽 같은 것들도 맡아야 했었다. 사실 Laura Dern가 혓바닥에서 미세소포를 뽑아낸 부분은 내가 아이디어를 낸 작은 개그였다. 나는 실제로 현장에서 주사기를 들고 다니며 구멍을 채우고 있었다" 

Shannon Shea recalled his fun if unglamourous task data-on the day of shooting, “While most of the guys were in the pit moving the dinosaur around, I was outside. The radio controls [for the eyes] were handed off to me because I was responsible for doing all of the cosmetics data-on the dinosaur for the shoot. I had to do all of the pus and the spit and the rheumy eyes and all that stuff. In fact when Laura Dern pops the microvesicle data-on the tongue, that was a little gag that I figured out. I was actually running in with a syringe and refilling the cavity.”

Pictured above: Stan Winston, Steven Spielberg and Shannon Shea discuss the scene before the (human) actors arrive data-on set.

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- 연기는 리액션이다 ACTING IS REACTING -

"배우들에게 처음 보여줬을때가 기억난다" 고 Sousa는 회상한다. "로라 던(Laura Dern)은 [트리케라톱스]가 움직이는것을 보았다. 그때 그녀의 얼굴 표정이란 마치, '와우, 진짜 살아있는것 같잖아.' 같았다. 뭐랄까, 나는 그것이 그녀의 연기에 도움이 됐을것이라 생각한다. 마치 그녀가 실제로 어떤.. 생물을 도우려는 것처럼 보이도록."

“I remember when the actors first showed up,” recalled Sousa. “Laura Dern saw [the Triceratops] and saw it moving. I just remember the look on her face like, ‘Wow, this thing really looks like it’s alive.’ That was really something. I think that helped her performance. Like she was helping this…living thing.
”

Pictured above: Surrounded by set dressing, final artistic touches complete, the Triceratops gets into character for her unforgettable scene with the cast of JURASSIC PARK.

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- 가장 위대한 공룡 장난감 THE GREATEST DINOSAUR TOYS EVER MADE -

 


Al Sousa는 쥬라기 공원 영화 촬영 현장을 그의 경력의 하이라이트로 꼽는다. "그때, 우리 모두는 이 영화가 뭔가 엄청나게 거대하고 스펙타클한 것이 될 것이라는걸 알았지만.. 그게 이 정도로 거대한 성공일줄은 몰랐었다."면서 Sousa는 첨언한다 "내가 그 일부에 참여 했다는 사실이 대단한 특권처럼 느껴졌다."

 

Al Sousa counts his time on JURASSIC PARK as a career highlight. “At the time, I think we all knew that this was going to be something really big and spectacular… I don’t think I realized HOW big,” said Sousa, adding, “I felt like I was really privileged to be a part of it.” 


그리고  Shannon Shea의 경우에는, 쥬라기 공원에서의 일들은 마치 어린 시절 꿈의 실현같았다. "나는 지금까지도 여전히 공룡에 대해 판타지를 갖고 있기 때문에, 쥬라기 공원 영화에 참여한것은 엄청난 일이였다." Shea는 말한다. "나는 3살부터 공룡에 매혹됐었고 오리지날 킹콩 영화도 관람했었다. 우리가 모든 공룡들의 퍼펫 테스트를 진행 할때, 티렉스의 조형사, Mike Tricic은 나에게 다가와 - 그 또한 평생동안 공룡의 팬이였다 - 면서 '우리는 지금 가장 위대한 공룡 장난감을 갖고 놀고 있다'고 말했다. 솔직하게, 그보다 더 적합한 표현은 없을것이다."

 

And for Shannon Shea, working on JURASSIC PARK was a boyhood dream come true. “The really wonderful thing about working on JURASSIC PARK and being involved with a film like this, is that I was and still am a lifelong dinosaur fanatic,” said Shea. “I’ve been a fan of dinosaurs since I was three years old and saw the original KING KONG. While we were test puppeteering all these dinosaurs, the sculptor of the T-rex, Mike Trcic, turned to me - he also was a lifelong dinosaur fan - and he said, ‘We get to play with the greatest dinosaur toys ever made.’ Seriously, no truer words were ever spoken.”

Pictured above: (left to right) Joey Orosco, Paul Mejias, Shannon Shea, Steven Spielberg, Sam Neill, Stan Winston, Dave Grasso, Al Sousa, Joe Reader.

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T-Tops: conceptual illustration by artist Mark 'Crash' McCreery (Stan Winston Studio) for the Triceratops in Jurassic Park (1993)

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Joey Orosco sculpts the 1/5th scale sick Triceratops for Steven Spielberg's Jurassic Park 1.

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Animatronic experts Jeff Edwards & Craig Caton - Largent check the small-scale Triceratops prototype for JURASSIC PARK before building the full-scale puppet at Stan Winston Studio.

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The making of the sick Triceratops at Stan Winston Studio for Steven Spielberg's JurassicPark 1

Joey Orosco was the main artist for the sick Triceratops in the original Jurassic Park produced by Universal Studios, Stan Winston Studio and Amblin Productions. It took him around 4 months to craft (he modeled it, built it, sculpted it, painted it, and later was data-one of around 10 people puppeteering it), and although it was largely built in the greater LA area, he would eventually finish it data-on location in Hawaii (transportation was a big deal given that this model was built-to-scale with what we know about Triceratops!) 

Joey got inspiration for this gentle giant by studying the body shapes and movements of Rhinos and Elephants. He worked with paleontologist to get the details as accurate as possible. Amazingly real fossilized Triceratops skin had recently been discovered in Wyoming, and Joey studied and crafted his triceratops accordingly.

 

Joey Orosco in action at Stan Winston Studio. Joey carefully working data-on the skin texture of the triceratops to make it as realistic as possible

Key dino artist Joey Orosco sculpts the full-scale Triceratops for JURASSIC PARK (1993) at Stan Winston Studio, art department.

Joey, now further along meticulously still carving out that skin texture.

Details of the sick Triceratops head.

The crew from Stan Winston Studios approaching the sick Triceratops which is sculpted in full-scale before going to mold it prior to making the foam skin for the animatronic dinosaur puppet. From left to right: Joe Reader, David Beneke, Chris Swift, Rob Ramsdell, Paul Mejias and lead sculptor Joey Orosco.

Dinomania! The sick Triceratops from Jurassic Park 1 during the sculpting stage at Stan Winston Studio, lead artist: Joey Orosco.

Stan Winston's team posing with the full-scale Triceratops clay sculpture for Jurassic Park (1993)

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Triceratops molded by David Beneke

Mark Jurinko (bottom) and Joe Orosco (top) painting the full size triceratops puppet for Jurassicpark at the Winston Studios, circa 1992. Picture from the Winston archives.

Close up of the animatronic Triceratops from JURASSIC PARK (1993), designed and created at Stan Winston Studio.

The picture of him data-on location with the finished Triceratops is more famous, but I always loved this data-one of Stevie as the puppet begins to take shape in Stan Winston Studio's workshop. Taken data-on 20th May 1992, for the photography book "A Day In The Life Of Hollywood"

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The photo shown here is a rare data-one, showing off the newly painted Triceratops data-on location in Hawaii. What makes this photo unique is how clean the Triceratops is! And although Stan Winston thought Joey’s paint job was so beautiful and pristine, it was not his idea of a sick dying animal. So promptly upon arrival data-on set in Hawaii they wet down the dino and threw dirt over it! (Joey may or may not have gone back later and cleaned it up, just a little!). Stan even had Joey drip “bird poop” data-on the dinosaur, which can be spotted in the film. 

key dinosaur artist and data-on-set puppeteer, Joey Orosco data-on location at Hawaii with the animatronic Triceratops, designed and created by Stan Winston Studio for Jurassic Park (1993).

Steven Spielberg, Sam Neill, Stan Winston and crew with a Triceratops data-on the set of Jurassic Park (1993)

Stan Winston data-on the set with director Steven Spielberg, data-one of our teachers Shannon Shea , and the sick Triceratops. - Balázs The finished Triceratops data-on the set of Jurassic Park with Stan Winston, Steven Spielberg & Shannon Shea. - Balázs

Steven Spielberg, Stan Winston and cast with Triceratops data-on the set of ‘Jurassic Park’ (1993).

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Musee Miniature et Cinema Lyon Triceratops

 

이 트리케라톱스 머리 조형은 영화에 사용된 오리지널은 아니지만, Stan Winston이 고생물학자 Don Lessem에게 Jurassic Park의 컨설턴트 역할에 대한 감사의 표시로 제공한 원본 틀에서 만들어진 사본이다. 그것이 Don Lessem의 개인 "박물관"에 전시되었다 마침내 경매에 올랐고 미니어처 시네마 박물관에 인수되었다.

https://sketchfab.com/3d-models/jurassic-park-triceratops-head-from-the-movie-051db198e0934719bf2cb23ee20af69d

Jurassic Park - Triceratops head from the movie - 3D model by Benoît Rogez - Sketchfab

Here is the foam latex head used in the movie, made by Stan Winston after Joey Orosco's amazing clay sculpt. Still in very good shape after all these years ! One of our editors had the chance to see it before the pandemic at the Musée Cinéma & Miniature in Lyon, France. He published a 3D scan data-on @Sketchfab

Triceratops head used in Jurassic Park (1993) in the sick dinosaur sequence. This piece of cinema history can be seen at the Musee Miniature et Cinema, Lyon, France. The head was created using foam latex by Stan Winston Studios after Joey Orosco’s sculpting.

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Triceratops Design for Jurassic Park 2

Key artist Bruce Spaulding Fuller sculpts the armored head of caged Triceratops for The Lost World: Jurassic Park at Stan Winston Studio.

Bruce Spaulding Fuller & Kevin McTurk sculpt the full-size Triceratops for Steven Spielberg's The Lost World: Jurassic Park at Stan Winston Studio.

The molding stage of the Triceratops' head at Stan Winston Studio for The Lost World: Jurassic Park

Stan Winston and the team at Stan Winston Studio are responsible for designing and creating the animatronic dinosaurs in Jurassic Park's sequel from 1997, The Lost World. Pictured: key artist Jim Charmatz adds details to the skin of the Triceratops featured in the film

Stan Winston's Triceratops animatronic head for The Lost World: Jurassic Park

Triceratops animatronic for The Lost World: Jurassic Park

Fossil cast was smaller than the JP version and somewhat flattened I think. Millions of years of fossilization tends to do that sometimes.

Stan Winston Animatronic Triceratops data-on the set of The Lost World: Jurassic Park

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Baby Triceratops Deisgn Canceled (1편 디자인 - 무산)

Conceptual artwork by character designer Mark "Crash" McCreery of Stan Winston Studio for the baby Triceratops in Jurassic Park (1993), which was later included in The Lost World: Jurassic Park (1997).

Shannon Shea consults the original design as he details Jurassic Park's unused baby Triceratops.

Artists from the Stan Winston Studios sculpting the full size baby triceratops commissioned for "Jurassic Park", according with the lead artist of the model (Shannon Shea) in the final version of the script Tim was supposed to ride the baby triceratops and not Lex, the whole sequence was cut weeks before the major filming began data-on Hawaii, the animatronic was data-only used later in “Lost world: Jurassic Park” in a brief shot inside a cage.

An interesting thing to note about the sculpture that differs from the sculpture of the adult triceratops is the direction of the nostril that goes in the vertical, while the nostril data-on the adult goes data-on the horizontal 

Shannon Shea sculpts the unused baby Triceratops for Jurassic Park at Stan Winston Studio.

animatronic baby Triceratops during the paint work for Jurassic Park (1993). Sadly, this puppet was not used in the movie, and later is re-used in The Lost World: Jurassic Park (1997).