영국 영화 협회 BFI (British Film Institute)
영국 영화 협회(英國映畵協會, British Film Institute, BFI)는 1933년 영국 국내 영화 홍보를 목적으로 설립되었다. 교육 부문과 라이브러리를 운영하고 영화 연구를 위해 서비스를 제공하고 영화를 배급할뿐만 아니라 지역 영화관 네트워크에 대해 책임을 지고 있다. 영국 국내 영화의 역할과 지위에 대한 논의에 중요한 발언권을 가지고있다.
사이트 앤드 사운드 Sight and Sound
Sight and Sound는 BFI에서 발행하는 영국의 월간 영화 잡지이다. 1952년부터 진행되어 10년에 한 번 가장 위대한 영화에 대한 투표를 실시하고 있다.
- 역사와 내용
Sight and Sound 잡지는 1932년 봄 British Institute of Adult Education의 후원으로 분기별 현대 학습 보조 자료로서 출판을 시작했다. 1934년 영국 영화 협회(BFI)에 권한이 넘어가면서 오늘날까지 발행을 담당하고 있다. Sight and Sound는 1950년대 초의 월간 간행물을 제외하고는 1990년대 초까지 대부분의 기간동안 분기별로 간행되었지만 1991년에 BFI의 또 다른 간행물인 Monthly Film Bulletin과 합병하면서 월간 간행으로 시스템이 자리 잡았다.
1949년에는 영화 저널 Sequence의 공동 창립자인 Gavin Lambert가 편집자로 고용되면서 보조 편집자로 Sequence 공동 창립자이자 미래의 영화 감독인 Lindsay Anderson과 Karel Reisz 그리고 Sequence의 편집자였던 Penelope Houston를 데려왔다 . 램버트는 1956년까지 저널을 편집했고, 휴스턴은 1990년까지 편집장을 맡았다. Philip Dodd는 1997년 Monthly Film Bulletin이 합병되면서 Nick James와 공동 편집자가 되었다. 제임스는 2019년 8월까지 편집장을 역임했고 현재 Mike Williams가 그 자리를 맡고있다. Sight and Sound는 일반 개봉 영화에 집중하는 대부분의 영화 잡지들과 달리 제한된 (아트 하우스) 영화를 포함하여 매달 개봉하는 모든 종류의 영화들을 다루고있다.
The Greatest Films of All Time
영국영화협회에서 발간하는 영화잡지 『사이트 앤 사운드』(Sight & Sound) 에서 1952년부터 10년 단위로 전세계의 영화인을 대상으로 설문조사를 진행하여 발표하는 “영화사상 가장 위대한 영화 열 편” 목록. 1982년까지는 각국의 유명 영화 평론가 및 영화 학자만을 대상으로 설문을 진행하였으나 1992년부터는 영화감독으로도 조사 대상을 확대해서 비평가 목록과 감독 목록을 따로 발표하고 있다. 수많은 영화 목록 중에서도 그 역사와 설문 대상 범위에 있어 가장 공신력 있는 목록으로 꼽히는데, 예를 들어 〈시민 케인〉이 영화사상 최고의 영화로 일컬어지는 까닭도 1962년 이래 이 조사에서 언제나 1위를 차지했기 때문이다. 공식 홈페이지에서는 2002년/2012년 투표에 한하여 각각의 투표자가 어떤 작품을 꼽았는지도 모두 확인할 수 있다.
투표 방식 : 10년에 한 번 전세계 영화 학자, 비평가, 프로그래머 및 큐레이터로 구성된 영화 전문가들에게 각각 10편씩 역사상 가장 위대한 영화를 선택하도록 요청하고 그 결과를 취합하여 순위를 매긴다. 2012년 846명이 참여했고 2022년에는 1,639명으로 규모가 확장됐다.
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Since 1952, Sight and Sound has asked an international group of film professionals every decade to vote for the ten films they consider the greatest of all time. Until 1992, the votes of the invited critics and directors were compiled to make one list. However, since 1992, directors have been invited to participate in a separate poll.
The Sight and Sound accolade has come to be regarded as one of the most important of the "greatest ever film" polls. The critic Roger Ebert described it as "by far the most respected of the countless polls of great movies—the only one most serious movie people take seriously."
Sight and Sound first ran the poll in 1952 following publication earlier in the year of a list of the Top Ten Films, headed by Battleship Potemkin, based on a poll of mostly directors conducted by the committee of the Festival Mondial du Film et des Beaux-Arts de Belgique. Following publication of that poll, Sight and Sound decided to poll film critics for their choices and announced the results in their next issue. 85 critics from Britain, France, the United States, Italy, Germany, Denmark, Sweden, Belgium, Czechoslovakia and Yugoslavia were asked but only 63 responded including Lindsay Anderson, Lotte H. Eisner, Curtis Harrington, Henri Langlois, Friedrich Luft, Claude Mauriac, Dilys Powell, Jean Queval, Terry Ramsaye, Karel Reisz, G. W. Stonier (under the name William Whitebait) and Archer Winsten. Most critics found the question unfair. The first poll was topped by Bicycle Thieves with 25 out of 63 votes and contained six silent films.
The five subsequent polls (1962–2002) were won by Citizen Kane (which finished 13th in 1952).
In 1992, an additional poll of 101 directors took place, with Citizen Kane also receiving the most votes. It also received the most votes from directors in 2002.
For the 2012 poll, Sight and Sound listened to decades of criticism about the lack of diversity of its poll participants and made a huge effort to invite a much wider variety of critics and filmmakers from around the world to participate, taking into account gender, ethnicity, race, geographical region, socioeconomic status, and other kinds of underrepresentation. The list of people polled for the critics' poll expanded significantly from 145 to 846 and also included programmers, curators, archivists, film historians and other academics for the first time. Following the change, Citizen Kane only received the second highest number of votes, with Vertigo receiving the most. The directors' poll also expanded from 108 to 358 directors and Tokyo Story received the most votes with Citizen Kane receiving the joint second-most together with 2001: A Space Odyssey.
In 2022, the number of people polled for the critics' poll increased even further from 846 to 1,639 and Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles received the most votes, the first film to be directed by a woman to top the list. Vertigo received the second most and Citizen Kane third. Nearly 4,000 different films received at least one mention.
2001: A Space Odyssey topped the directors' poll for the first time in 2022 with Citizen Kane in second place and Tokyo Story in joint fourth together with Jeanne Dielman. Among the directors that participated were Julie Dash, Barry Jenkins, Lynne Ramsay, Martin Scorsese and Apichatpong Weerasethakul.
La Règle du Jeu (The Rules of the Game) appeared in the first seven of the magazine's decennial polls. Citizen Kane has appeared in the last seven.
2022 크리틱 선정 영화 100 The Greatest Films of All Time (critics’ poll)
1. 잔느 딜망 Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles
(1975 Belgium, France / Directed by Chantal Akerman)
A magnificent epic of experimental cinema offering a feminist perspective on recurrent events of everyday life.
2. 현기증 Vertigo
(1958 USA / Directed by Alfred Hitchcock)
A former detective with a fear of heights is hired to follow a woman apparently possessed by the past, in Alfred Hitchcock’s timeless thriller about obsession.
3. 시민 케인 Citizen Kane
(1941 USA / Directed by Orson Welles)
Famously sitting at the top of the Sight and Sound poll from 1962 to 2002, Orson Welles’s masterful debut, about newspaper magnate Charles Foster Kane, remains an enduring classic.
4. 동경 이야기 Tokyo Story
(1953 Japan / Directed by Yasujirō Ozu)
Told in Yasujirō Ozu’s simple and elegant style, this story of intergenerational discord is heartbreaking and deeply human.
5. 화양연화 In the Mood for Love
(2000 Hong Kong, France / Directed by Wong Kar Wai)
Wong Kar Wai’s masterpiece is a heartbreaking story of illicit love that pulses with the ache of repressed desire.
6. 2001: 스페이스 오디세이 2001: A Space Odyssey
(1968 USA, United Kingdom / Directed by Stanley Kubrick)
Stanley Kubrick’s grand vision of mankind’s journey from its hominid beginnings to its star-child evolution is a towering achievement of science-fiction cinema.
7. 아름다운 직업 Beau travail
(1998 France / Directed by Claire Denis)
Claire Denis’s great gift is to evoke emotion with gesture and juxtaposition. In the desert, water shimmers and ripples, naked shoulders perspire, black mosquito nets recall sheer lingerie.
8. 멀홀랜드 드라이브 Mulholland Dr.
(2001 France, USA / Directed by David Lynch)
Hollywood is dark and dangerous, yet alluring, in David Lynch’s acclaimed thriller.
9. 카메라를 든 사나이 Man with a Movie Camera
(1929 USSR / Directed by Dziga Vertov)
Bottomless invention and frenetic, dizzying montage make this city symphony one of cinema’s sharpest, most exciting experiences nearly a century after its release.
10. 사랑은 비를 타고 Singin' in the Rain
(1951 USA / Directed by Gene Kelly, Stanley Donen)
Hollywood’s troubled transition from silent to talking pictures at the end of the 1920s provided the inspiration for perhaps the greatest of movie musicals.
11. 선라이즈 Sunrise: A Song of Two Humans
(1927 USA / Directed by F.W. Murnau)
The first American film by one of German expressionism’s leading exponents, this lush, atmospheric silent drama is replete with groundbreaking cinematography.
12. 대부 The Godfather
(1972 USA / Directed by Francis Ford Coppola)
The first of Francis Ford Coppola’s epic trilogy about the Corleone crime family is the disturbing story of a son drawn inexorably into his father’s Mafia affairs.
13. 게임의 규칙 La règle du jeu
(1939 France / Directed by Jean Renoir)
Huge-spirited and sharp-eyed, Jean Renoir’s French-society fresco gathers high classes and low for a weekend of country-house fallout.
14. 5시부터 7시까지의 클레오 Cleo From 5 To 7
(1962 France, Italy / Directed by Agnès Varda)
In real time, Cléo becomes more real, more subject than object. She discards her whipped-cream wig and polka dots for a simple black shift. She performs less and feels more.
15. 수색자 The Searchers
(1956 USA / Directed by John Ford
This poll’s last western standing, John Ford’s sweeping, stirring rescue-or-revenge quest remains a film of magnificent mystery and poetry.
16.오후의 올가미 Meshes of the Afternoon
(1943 USA / Directed by Maya Deren, Alexander Hackenschmied)
Had Californian sunlight ever looked as suggestive or sinister before the sharply etched dreamworld of Meshes of the Afternoon?
17. 클로즈 업 Close-Up
(1989 Iran / Directed by Abbas Kiarostami)
The more ‘information’ we’re offered about the case, the more we come to realise that there are no easy answers to any of the questions being raised.
18. 페르소나 Persona
(1966 Sweden / Directed by Ingmar Bergman)
Any sense of a conventional psychodrama is constantly disrupted by the experimental, improvisatory filmmaking.
19. 지옥의 묵시록 Apocalypse Now
(1979 USA / Directed by Francis Ford Coppola)
Francis Ford Coppola’s Vietnam War blowout, a hell-trip through the smoke and dazzle of imperial America’s most grandstanding rogue show.
20. 7인의 사무라이 The Seven Samurai
(1954 Japan / Directed by Akira Kurosawa)
Akira Kurosawa’s monumental, scintillating tale of hired samurai protecting a peasant village: period thriller and moral/political fable in one.
(공동) 21. 잔 다르크의 수난 The Passion Of Joan Of Arc
(1927 France / Directed by Carl Th. Dreyer)
Carl Theodor Dreyer’s rapturous silent masterpiece, with soulful close-ups of Renée Jeanne “Maria” Falconetti’s tremulous martyr, transcending tyranny and temporality.
(공동) 21. 만춘 Late Spring
(1949 Japan / Directed by Yasujirō Ozu)
The first of Yasujirō Ozu’s great cycle of dramas that place the joys and sadnesses of family life in the context of a Japan disrupted by modernity.
23. 플레이타임 Playtime
(1967 France / Directed by Jacques Tati)
Jacques Tati’s most painstaking accomplishment blends deft slapstick, endless visual ingenuity and sonic comedy in a stupendous modern satire.
24. 똑바로 살아라 Do The Right Thing
(1989 USA / Directed by Spike Lee)
Racial tensions reach boiling point in Spike Lee’s incandescent portrait of a Brooklyn neighbourhood on the hottest day of the year.
(공동) 25. 당나귀 발타자르 Au hasard Balthazar
(1966 France, Sweden / Directed by Robert Bresson)
Robert Bresson gave us a typically stark vision of humanity as experienced by a put-upon, maltreated beast of burden that passes from owner to owner.
(공동) 25. 사냥꾼의 밤 The Night of the Hunter
(1955 USA / Directed by Charles Laughton)
Actor Charles Laughton’s only film as director, starring Robert Mitchum as an implacable child-hunting preacher, still leaves an indelible mark.
27. 쇼아 Shoah
(1985 France / Directed by Claude Lanzmann)
To make sense of the 20th century’s most horrific atrocity, Claude Lanzmann reinvented documentary itself, giving the form colossal new significance.
28. 데이지즈 Daisies
(1966 Czechoslovakia / Directed by Věra Chytilová)
This feminist milestone is an anarchic comedy of subversion whose approach to montage is as exuberant as the film’s two protagonists.
29. 택시 드라이버 A Taxi Driver
(1976 USA / Directed by Martin Scorsese)
Martin Scorsese and Paul Schrader’s high-art vigilante movie for fallen times, with a coiled Robert De Niro as psycho-saviour of an infernal NYC.
30. 타오르는 여인의 초상 Portrait of a Lady on Fire
(2019 France / Directed by Céline Sciamma)
Portrait of a Lady on Fire demonstrates Céline Sciamma’s ability to make a timelessly beautiful film that also crystallises the gender politics of her era.
(공동) 31. 8과 1/2 Eight and a Half
(1963 Italy, France / Directed by Federico Fellini)
Federico Fellini’s portrait of the film director as harried ringmaster and unreliable dreamer, spinning gold from his memories and fantasies.
(공동) 31. 거울 The Mirror
(1975 USSR / Directed by Andrei Tarkovsky)
Cinema scaled new heights of visual poetry in this deeply personal, elliptical film by the master of ‘sculpting in time’.
(공동) 31. 싸이코 Psycho
(1960 USA / Directed by Alfred Hitchcock)
Alfred Hitchcock’s unsparing wrong-motel shocker starring Janet Leigh is a watershed for mainstream horror and still seminal in its suspense games.
34. 라탈랑트 L'Atalante
(1934 France / Directed by Jean Vigo)
Jean Vigo’s headily poetic portrait of young newlyweds on – and off – Michel Simon’s barge on the Seine.
35. 아푸 제1부 - 길의 노래 Pather Panchali
(1955 India / Directed by Satyajit Ray)
All the mischief, discoveries, joys and tragedies of life are given endlessly lyrical expression in Satyajit Ray’s debut, the first entry in ‘The Apu Trilogy’.
(공동) 36. 시티 라이트 City Lights
(1931 USA / Directed by Charles Chaplin)
A purely beautiful outing from the Tramp, this delightful urban romance features one of cinema’s most heartbreaking smiles.
(공동) 36. 엠 M
(1931 Germany / Directed by Fritz Lang)
Fritz Lang’s rack-taut first talkie, with a searing, animalistic Peter Lorre as a serial child-murderer turned manhunt target.
(공동) 38. 네 멋대로 해라 Breathless
(1960 France / Directed by Jean-Luc Godard)
Jean-Luc Godard’s cock-of-the-walk calling card, mixing pulp pastiche and upstart rebellion with Jean-Paul Belmondo’s footloose Parisian delinquent.
(공동) 38. 뜨거운 것이 좋아 Some Like It Hot
(1959 USA / Directed by Billy Wilder)
Billy Wilder’s supreme gender-bending comedy has Jack Lemmon and Tony Curtis as female-posing musicians on the lam, and many knickers in a twist.
(공동) 38. 이창 Rear Window
(1954 USA / Directed by Alfred Hitchcock)
The Master of Suspense ratchets up the tension while dishing out insights into obsession, urban living and the dangers of the gaze.
(공동) 41. 자전거 도둑 The Bicycle Thief
(1948 Italy / Directed by Vittorio De Sica)
The film that topped our inaugural poll in 1952, Vittorio De Sica’s indelible neorealist parable offers a sharp-eyed portrait of Italy ’s post-war privations.
(공동) 41. 라쇼몽 Rashomon
(1950 Japan / Directed by Akira Kurosawa)
The film that brought Japanese cinema to the world, this 88-minute firecracker proved a seminal assault on the notion of objectivity.
(공동) 43. 잠입자 Stalker
(1979 USSR / Directed by Andrei Tarkovsky)
Two men recruit a guide to take them into ‘the Zone’, a mysterious realm where one’s innermost wishes come true, in this metaphysical sci-fi epic.
(공동) 43. 양 도살자 Killer of Sheep
(1977 USA / Directed by Charles Burnett)
Charles Burnett’s tender and witty tale of a disillusioned slaughterhouse worker and the solace to be found in the simplest moments of life.
(공동) 45. 배리 린든 Barry Lyndon
(1975 USA, United Kingdom / Directed by Stanley Kubrick)
Stanley Kubrick’s meticulously designed epic recounts the picaresque exploits of an 18th-century Irish adventurer.
(공동) 45. 알제리 전투 The Battle Of Algiers
(1966 Italy, Algeria / Directed by Gillo Pontecorvo)
A window on Algeria’s wider liberation war, recreating a violent phase of guerrilla struggle and suppression in powerful free-documentary style.
(공동) 45. 북북서로 진로를 돌려라 North By Northwest
(1959 USA / Directed by Alfred Hitchcock)
Insouciant big-screen thrill-games from the Master of Suspense, hounding Cary Grant’s smug adman across a continent’s span of peerless set pieces.
(공동) 48. 오데트 Ordet
(1955 Denmark / Directed by Carl Th. Dreyer)
An austere parable on the power of faith, Carl Theodor Dreyer’s penultimate film culminates in a transcendent resurrection scene.
(공동) 48. 완다 Wanda
(1970 USA / Directed by Barbara Loden)
Barbara Loden’s tough, unsentimental portrait of a woman adrift in the industrial heartlands of the north-eastern United States.
(공동) 50. 400번의 구타 The 400 Blows
(1959 France / Directed by François Truffaut)
François Truffaut’s free-wheeling debut, with Jean-Pierre Léaud as his rebel-schoolboy surrogate, is still a banner film for nouvelle vague lyric realism.
(공동) 50. 피아노 The Piano
(1992 Australia, France / Directed by Jane Campion)
This virtuoso drama of a mute woman’s and her daughter’s silent defiance of patriarchy in 19th-century New Zealand still has searing emotional heft.
(공동) 52. 불안은 영혼을 잠식한다 Fear Eats the Soul
(1974 Federal Republic of Germany / Directed by Rainer Werner Fassbinder)
Rainer Werner Fassbinder’s heart-on-sleeve melodrama of a doomed romance across racial and age divides probes social hypocrisy with feeling.
(공동) 52. 집에서 온 소식 News From Home
(1976 France, Belgium / Directed by Chantal Akerman)
Chantal Akerman’s epistolary film, shot in the grime of 70s New York, bridges the distance from Brussels through dictated letters from her mother.
(공동) 54. 사랑과 경멸 Le Mepris
(1963 France, Italy / Directed by Jean-Luc Godard)
Disillusion in love and cinema in Jean-Luc Godard’s most opulent and emotive production, with lovers and film legends at loggerheads in Capri.
(공동) 54. 블레이드 러너 Blade Runne
(1982 USA, Hong Kong / Directed by Ridley Scott)
Iconic neo-noir in a befouled sci-fi Los Angeles where humans and their machine replicas vie to be predators rather than prey.
(공동) 54. 전함 포템킨 The Battleship Potemkin
(1925 USSR / Directed by Sergei M. Eisenstein)
Sergei Eisenstein’s renowned agit-drama of proto-revolutionary mutiny and repression, often quoted but still powerful in its montage effects.
(공동) 54. 아파트 열쇠를 빌려드립니다 The Apartment
(1960 USA / Directed by Billy Wilder)
Billy Wilder’s then-risqué romcom, with Jack Lemmon and Shirley Maclaine finding love amid corporate New York’s sea of sexual deception.
(공동) 54. 셜록 2세 Sherlock Jr
(1924 USA / Directed by Buster Keaton)
Buster Keaton’s would-be sleuth dreams himself into movie-heroic mastery in this dazzling, evergreen, meta masterpiece of silent comedy.
59. 태양 없이 Sunless
(1982 France / Directed by Chris Marker)
Chris Marker’s speculative travelogue-essay, reflecting on culture and history in narrated letters from Guinea to Japan to Iceland.
(공동) 60. 달콤한 인생 La dolce vita
(1960 Italy, France / Directed by Federico Fellini)
Federico Fellini’s ode to Rome presents a lush, vibrant exterior to the swinging city, before revealing its rotting moral core.
(공동) 60. 문라이트 Moonlight
(2016 USA / Directed by Barry Jenkins)
Instantly heralded as a modern masterpiece, Barry Jenkins’ stunning three-part story of queer identity is both a technical and an emotional marvel.
(공동) 60. 먼지의 딸들 Daughters of the Dust
(1991 USA / Directed by Julie Dash)
Julie Dash’s visionary visual marriage between Afrocentric aesthetics and the rich emotional depth of Black womanhood is a cinematic triumph.
(공동) 63. 좋은 친구들 Goodfellas
(1990 USA / Directed by Martin Scorsese)
The dizzying story of wiseguy Henry Hill, from his seduction into a life of crime to his paranoid, cocaine-fuelled departure.
(공동) 63. 제3의 사나이 The Third Man
(1949 United Kingdom / Directed by Carol Reed)
Joseph Cotten chases Orson Welles’s agent of corruption through the ruins of divided post-war Vienna in this evocative classic thriller.
(공동) 63. 카사블랑카 Casablanca
(1942 USA / Directed by Michael Curtiz)
Ingrid Bergman rallies Humphrey Bogart’s embittered cynic to the anti-Nazi cause in this classic romance.
66. 투키 부키 Touki Bouki
(1973 Senegal / Directed by Djibril Diop Mambéty)
A restless young couple dream of escaping Senegal for Paris in Djibril Diop Mambéty ’s stylish, poetic, irreverent expression of post-colonial fantasies.
(공동) 67. 안드레이 루블료프 Andrei Rublev
(1966 USSR / Directed by Andrei Tarkovsky)
Andrei Tarkovsky’s epic portrait of a medieval artist may be the most wrenching depiction of belief, creativity and the search for meaning ever filmed.
(공동) 67. 방파제 La Jetee
(1962 France / Directed by Chris Marker)
The rare short film in this list, Marker’s dazzling photo montage ruminates on memory from beyond the apocalypse.
(공동) 67. 분홍신 The Red Shoes
(1948 United Kingdom / Directed by Michael Powell, Emeric Pressburger)
The feverish Technicolor and astonishing ballet sequences for which this film is so renowned are as spellbinding as they are disturbing.
(공동) 67. 이삭줍는 사람들과 나 The Gleaners and I
(2000 France / Directed by Agnès Varda)
Agnès Varda’s essay portrait of society ’s scavenger-recyclers – herself included – is both free-radical and infectious.
(공동) 67. 메트로폴리스 Metropolis
(1927 Germany / Directed by Fritz Lang)
Fritz Lang’s bombastic, stylised depiction of a future of profound inequality has influenced generations of genre filmmakers.
(공동) 72. 정사 L'avventura
(1960 Italy, France / Directed by Michelangelo Antonioni)
Michelangelo Antonioni’s high-modernist breakthrough sends Monica Vitti in search less of her disappeared friend than her own self, via images to get lost in.
(공동) 72.이탈리아 여행 Journey to Italy
(1954 Italy, France / Directed by Roberto Rossellini)
Roberto Rossellini’s plaintively simple portrait of a marriage on the rocks, imprinted with the ghosts of love, cultures and civilisations.
(공동) 72. 이웃집 토토로 My Neighbor Totoro
(1988 Japan / Directed by Hayao Miyazaki)
The storytelling is as simple as Totoro is inscrutable, unfolding in a series of delightful, exquisitely constructed sequences.
(공동) 75. 센과 치히로의 행방불명 Spiriting Away
(2001 Japan / Directed by Hayao Miyazaki)
Hayao Miyazaki’s rich anime fantasy follows its ten-year-old heroine into the labyrinth of a spirit-world bathhouse, teeming with phantoms and peril.
(공동) 75. 슬픔은 그대 가슴에 Imitation Of Life
(1959 USA / Directed by Douglas Sirk)
Douglas Sirk’s melodrama holds a mirror to the hypocrisies of 1950s America with its pairs of mothers and daughters across class and racial divides.
(공동) 75. 산쇼다유 Sansho the Bailiff
(1954 Japan / Directed by Kenji Mizoguchi)
Kenji Mizoguchi’s tragic folk saga of the tribulations of an exiled governor’s family in feudal Japan, tracked with exquisitely moving camerawork.
(공동) 78. 선셋 대로 Sunset Blvd.
(1950 USA / Directed by Billy Wilder)
Tinseltown’s greatest self-satire, a gothic requiem for big-screen bygones and the highs of screen stardom.
(공동) 78. 사탄탱고 Sátántangó
(1994 Hungary, Germany, Switzerland / Directed by Béla Tarr)
As timely as ever in its grim poeticisation of demagogues and doom, helplessness and hope. If music be the food of death, play on.
(공동) 78. 고령가 소년 살인 사건 A Brighter Summer Day
(1991 Taiwan / Directed by Edward Yang)
Young love and teen delinquency in Taiwan’s early 1960s adolescence, in Edward Yang’s slow-burn, bittersweet epic.
(공동) 78. 모던 타임즈 Modern Times
(1936 USA / Directed by Charles Chaplin)
Industrial modernity proves mercilessly madcap in Charlie Chaplin’s final (mostly) silent feature, one of the most inspired and ingenious of all his comedies.
(공동) 78. 삶과 죽음의 문제 A Matter of Life and Death
(1946 United Kingdom / Directed by Michael Powell, Emeric Pressburger)
Love is rescued from the jaws of the afterlife in the Archers’ delirious World War II air-pilot fantasia.
(공동) 78. 셀린느와 줄리 배타러 가다 Celine and Julie Go Boating
(1974 France / Directed by Jacques Rivette)
Jacques Rivette’s most playful, innovative frolic, in which his irreverent Parisian heroines dissolve worlds, genres, social codes and boundaries.
(공동) 84. 블루 벨벳 Blue Velvet
(1986 USA / Directed by David Lynch)
David Lynch’s adult fairytale follows teen sleuth Kyle MacLachlan’s murder inquiry into the surreal, perverse corners of small-town America.
(공동) 84. 벌집의 정령 The Spirit of the Beehive
(1973 Spain / Directed by Víctor Erice)
Victor Erice’s exquisite impressionistic distillation of childhood fear and wonder in the ruins of the recently ended Spanish Civil War.
(공동) 84. 미치광이 삐에로 Pierrot le Fou
(1965 France, Italy / Directed by Jean-Luc Godard)
Jean-Luc Godard’s most effervescent escapade, a primary-coloured lovers-on-the-run blow-out heading south with Anna Karina and Jean-Paul Belmondo.
(공동) 84. 영화의 역사 : 하나의 역사 Histoire(s) du Cinéma
(1988 France, Switzerland / Directed by Jean-Luc Godard)
The apotheosis of Jean-Luc Godard’s experimental era, this sprawling essay film indicts the 20th century through its most popular medium.
(공동) 88. 샤이닝 The Shining
(1980 USA, United Kingdom / Directed by Stanley Kubrick)
Stanley Kubrick’s much analysed and often spoofed psychological horror spends a chilling and claustrophobic winter at the empty Overlook Hotel.
(공동) 88. 중경삼림 Chungking Express
(1994 Hong Kong / Directed by Wong Kar Wai)
A sense of wistful, romantic longing joins the two stories in Wong Kar Wai’s freewheeling portmanteau portrait of Hong Kong.
(공동) 90. 기생충 Parasite
(2019 Republic of Korea / Directed by Bong Joon-ho)
Like Get Out, Bong Joon Ho’s endlessly twisty, blackly sincere class-war thriller is a pop provocation for our unequal times.
(공동) 90. 하나 그리고 둘 Yi Yi
(1999 Taiwan, Japan / Directed by Edward Yang)
Urban anomie and multi-generational growing pains are given rich, relaxed expression in Edward Yang’s heartfelt Taipei family tapestry.
(공동) 90. 우게츠 이야기 Ugetsu Monogatari
(1953 Japan / Directed by Kenji Mizoguchi)
Kenji Mizoguchi’s bewitching, insinuating Edo-period ghost story renders civil war as a parable of heedless male greed.
(공동) 90. 레오파드 The Leopar
(1963 Italy, France / Directed by Luchino Visconti)
Luchino Visconti’s sumptuous epic portrays the fall of 19th-century Sicilian nobility, its decadent displays of wealth tinged with melancholy.
(공동) 90. 마담 드... Madame de...
(1953 France, Italy / Directed by Max Ophuls)
Max Ophuls’ woozy whirligig tracks a pair of unwanted earrings around high-society Paris – until they bear the weight of lost time and passion.
(공동) 95. 저항 A Man Escaped
(1956 France / Directed by Robert Bresson)
This prison-break study is Robert Bresson at his most starkly essential: a man, four walls, his ingenuity and the mysterious inflections of fate.
(공동) 95. 원스 어폰 어 타임 인 더 웨스트 Once Upon A Time In The West
(1968 Italy, USA / Directed by Sergio Leone)
Sergio Leone’s operatic widescreen elegy to the old American West, with the forces of corporate capitalism coming down the railroad.
(공동) 95. 열대병 Tropical Malady
(2004 France, Thailand, Germany, Italy, Switzerland / Directed by Apichatpong Weerasethakul)
A work that defies straightforward understanding and suggests understandability may be overrated.
(공동) 95. 흑인소녀 Black Girl
(1965 Senegal, France / Directed by Ousmane Sembène)
Ousmane Sembène lifts the mask on France’s racist post-colonial relationship with Senegal in his small yet commanding feature debut.
(공동) 95. 제너럴 The General
(1926 USA / Directed by Buster Keaton, Clyde Bruckman)
Buster Keaton’s most lavish production and his warmest, bringing together a boy, a girl and a train amid the maelstrom of the US Civil War.
(공동) 95. 겟 아웃 Get Out
(2017 USA, Japan / Directed by Jordan Peele)
A poster film for Black Lives Matter, Jordan Peele’s horror-satire of white vampirism gleefully needles America’s racial malaise.
출처 : https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time
The Greatest Films of All Time
In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of crit
www.bfi.org.uk
2012
: https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012
The 100 Greatest Films of All Time
In our biggest ever poll in 2012, 846 critics, programmers and curators nominated ten best movies ever made – and the results gave us a new top film, ending the 50-year reign of Citizen Kane.
www.bfi.org.uk
2022 영화 감독 선정 영화 100 Directors’ 100 Greatest Films of All Time
출처 : https://www.bfi.org.uk/sight-and-sound/directors-100-greatest-films-all-time
Directors’ 100 Greatest Films of All Time
Every decade since 1992, Sight and Sound has complemented its celebrated critics’ poll by formally sounding out the world’s leading directors on the ten films they believe to be the greatest of all time. Though it has always been global and inclusive i
www.bfi.org.uk
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