Paleoartist David Krentz used advanced ZBrush digital sculpting and 3D printing to bring out staggering detail in this massive sculpt. This piece was released in Dan's Dinosaurs in 2022.
"This sculpture depicts a full grown male Triceratops horridus standing in a strong but simple pose. It is not based on any one fossil specimen but I looked at many very closely. I wanted a piece to go alongside my T.rex named Regina Mundi that would be a response to her menacing pose. Given how much horn length I gave this dinosaur (like Yoshi’s Trike) I thought the Triceratops really wouldn’t be all that intimidated. I thought a “go ahead… try it” pose and facial expression was the way to go. It took a lot of willpower NOT to give Uncle Beazley a dynamic pose, as that would have negated the confidence and indifference I was going for. As reference, I used actors like Walter Matthau (who always look unimpressed), and Johnathan Banks’ character Mike Ehrmantraut from Breaking Bad and Better Call Saul. He has the icy stare of an old vet that tells you he’s seen it all. For animal reference, I used a water buffalo, a hippo, and of course… a rhino. To add scale and a natural element, I thought adding the birds Cimolopteryx to his back and horn would do the trick.
While working on Uncle Beazley I was able to use the amazing fossilized skin of the “Lane” specimen as reference. I overlayed photos of the skin slabs on top of my model and tried the best I could to get the correct placement and size. It is still shocking how big some of the those scales are! I enjoy creating dinosaurs that have lots of wrinkles, muscles, and bones on the surface. My early version of the ZBrush model looked super muscular, yet when I put on the large scales, much of that detail disappeared. It took a while for me to get used to it but I guess that's just how it goes. Making tiny little wrinkles laying on top of big scales would not have looked great anyway.
There has been a bit of a debate over what kind of skin covered the face and frill of ceratopsians. Some paleontologists suggest that its whole face and frill may have been covered in a keratinous sheath, like some kind of bird beak gone wild. I originally did a version like that but rumors of scaly skin samples kept creeping up on me. I waited a while for science to happen and ran out of patience. I opted to do a scaly face and a sort of half-keratin, half-scaled frill, much like the head of a tortoise and many other reptiles. I thought it was a good compromise and time will tell if I did it right.
I believe that horn variation in ceratopsians in life would have been pretty diverse, just like modern horned animals. Since this is a full grown Triceratops the horns are angled far forward, and I added quite a bit of extra horn growth on the ends. I kept one horn curved up at the tip and straitened out the other to give him some character and asymmetry. For extra character I put some facial scars that are consistent with proposed intra-species combat pathologies found in ceratopsian skulls.
The name Uncle Beazley comes from Oliver Butterworth’s 1956 book The Enormous Egg. In the story, a farm boy named Nate finds a giant egg that hatches into a Triceratops. He thinks the baby dinosaur looks like his grouchy old Uncle Beazley so that what he decides to name it. The book is a classic of children’s literature and was required reading in schools. I myself worked on a movie adaptation of the Enormous Egg but it didn’t go anywhere. That’s show biz for ya. Regardless, I grew fond of the character and thought I'd keep the name alive!"
- David Krentz
14 piece roto-cast kit (includes optional Cimolopteryx)
Dimensions: 17" L x -" H
1:18 Scale
2019.10.02
Here is a really early look at my new Triceratops horridus. This is pretty hacked out, lots of work to do, but I thought I'd let you in on the process. Update on T.rex casting is coming soon, but the machines are running!
: 트리케라톱스 호리두스의 초기 형태를 공개합니다. 아직 갈길이 멀지만 많은 피드백 바랍니다.
I've been working with Scott Hartman on this one. There are so many specimens of T.horridus and it becomes very confusing. Instead of doing one particular specimen I chose to make a hypothetical full grown adult.
: 이번 조형은 스콧 하트만과 함께하고 있다. 트리케라톱스 호리두스는 표본이 너무 많아서 혼란스러운데, 특정한 것을 복원하기 보다 가상의 성체를 작업할 예정이다.
Excellent sources. I recall the Canadian trike skin, but that skin is from the back side of the frill. It makes sense that it is not keratinous for mobility. I wonder is anyone out there knows if the front has been prepped. The Dueling dinosaurs chasmisaurine is intriguing, but as Larson points out in the video even the horns on that guy has a totally different texture than seen on the skull of other ceratopsians. He mentions that there are no deep channels that support keratin sheaths. The fate of that fossil is just maddening.
: 훌륭한 자료를 발견했다. 캐나다의 트라이크 피부를 연상시키지만, 이 피부 표본은 프릴 뒷면에서 발견된 것이다. 이 자료는 유동성의 케라틴 각질이 아니었음을 확신하게 만든다. 앞쪽면 관련 자료를 갖고 있는 사람이 있는지 궁금하다. 공격적인 카스모사우루스아과는 흥미롭지만, Larson이 비디오에서 지적했듯 그것의 뿔조차 다른 각공류 두개골에서 발견되는 것과는 완전히 다른 질감을 갖고 있다고 한다. 그는 각질층을 지지하는 신뢰할만한 자료가 없다고 언급하고 있다. 이 화석의 운명은 참 특이하다.
If there was keratin, I’m sure the nasals were some kind of soft tissue. Scott Sampson made a great case for erectile tissue in that area. There have been a few papers regarding bone texture and skin surface corelets (Dammit. Spell check doesn’t know what to do with that word) and based on those keratin fits nicely with the Triceratops face.
: 만약 케리틴질이 있다면, 코는 일종의 연조직이라고 확신한다. 스콘 샘슨은 그 부분에 대해 융기 조직에 대한 훌륭한 사례를 제시한바 있다. 뼈 질감과 피부 표면의 코어렛(단어가 어떤 맞춤법인지 잘 모르겠다) 그리고 트리케라톱스 얼굴에 잘 맞는 케라틴에 대한 몇 가지 논문이 있었다.
FOSSILS, RESEARCH, SPECIES DISCOVERY AND CHANGE
Triceratops skull delivers a Wow! of a Christmas gift
Removing dinosaur bone from rock is much like opening a Christmas gift: you never know what to expect. Sometimes, if you are really lucky, what’s revealed makes you take a step back and say, Wow!
And that’s exactly the early holiday surprise I got several weeks ago working on the museum’s one-of-a-kind Triceratops skull. It might contain the world’s first fossil evidence of this horned-dinosaur’s skin from the area of the neck frill.
When I last wrote about the partial skull of a large Triceratops prorsus in our collections, I had just started preparation work on the specimen. From reading Charles M. Sternberg’s 1929 original field notes, our expectations were already high. The complete frill and both horn cores he collected and preserved in two plaster jackets could be the world’s largest Triceratops.
Drawing of a Triceratops prorsus skull collected by the pioneering American palaeontologist Othniel Charles Marsh. The first fossils of this famous horned dinosaur were found in the late 19th century in Colorado, and have since been collected from Wyoming, South Dakota, Alberta and Saskatchewan. Biodiversity Heritage Library (CC BY-SA 2.0)
Now, after five months of meticulous work on the backside of the bony frill, a completely unexpected find has emerged that could change our view of what Triceratops looked like.
A major challenge in preparing this Triceratops specimen is that much of the skull is fractured, and between these thin gaps in the fossil, tiny fragments and rock dust have accumulated. Before the fractures can be repaired, this accumulation must be removed.
A section of the bony shield that flared out around the neck of our Triceratops specimen, seen here sitting in a plaster jacket in the museum’s palaeontology workshop. The surface has been partially cleaned revealing many fractures. When C. M. Sternberg examined this fossil soon after its discovery in 1929, he made note of its exceptionally large size. Catalogue number: CMNFV 56508. Image: Alan McDonald, Canadian Museum of Nature.
View of the frill section from above following complete exposure and cleaning of the numerous fractures that riddle the surface. One such fracture held a fragment containing a very interesting surprise — what appears to be preserved skin. Catalogue number: CMNFV 56508. Image: Alan McDonald, Canadian Museum of Nature.
One afternoon in early October, as I was removing and sifting through the dust trapped in the fractures, I noticed a small, broken section of fossil.
A triangular-shaped piece of fossilized bone had separated from the main frill, but remained largely in place. As I cleared the rock fragments and lifted out this small bit of fossil bone, what I saw underneath it made me quickly set down my brush.
To my surprise, there was a small section of what looks to be beautifully fossilized dinosaur skin.
This block of sediment covered a portion of the Triceratops frill and bears the impression of its surface features, including deep channels and pits. These may have once harboured blood vessels and other soft-tissue structures. One theory concerning the frills of horned dinosaurs is that they were covered in a hard sheath, perhaps composed of keratin, just like our fingernails. It’s possible that this protective covering was so dense and tight against the skull that the blood vessels providing oxygen and nutrients normally found in the soft tissue instead grew into the outer layers of the bone of the skull. Catalogue number: CMNFV 56508. Image: Alan McDonald, Canadian Museum of Nature.
If so, it is the first evidence of skin from the head of this dinosaur species. Since it was first discovered in 1887, there has been no fossil material found to give any clear indication of what covered this horned dinosaur’s iconic frill. For more than a century, it was assumed that a mosaic of scales covered the surface of the frill, but others have more recently suggested that it was instead covered by a tough, horny sheath. Until now, we had no way to be sure.
The polygonal features seen in this photo appear to be the remains of fossilized skin preserved in association with the frill. The fossil has been removed for further study to confirm this initial identification. Once preparation of the top side of the frill is underway, it may finally provide some answers regarding the nature of the skin on a horned dinosaur’s neck shield, and perhaps also earn the specimen the title of the largest Triceratops skull ever described. Catalogue number: CMNFV 56508. Image: Alan McDonald, Canadian Museum of Nature.
Taking a closer look at the section of distinctly patterned features with Dr. Jordan Mallon, the Canadian Museum of Nature’s dinosaur specialist, we decided we needed to re-examine how best to approach preparing the opposite side of the frill. We want to not only preserve any delicate fossilized skin it may retain, but if possible, also keep it from separating from the bone.
With this in mind, I am proceeding even more carefully and slowly in continuing the finer preparation and stabilization of the currently exposed side of the frill. Over the next few weeks, we will create a new plaster jacket to support the specimen, flip it over, and then see what new surprises the other side might have for us.
For now, though, I am quite content to enjoy this early, unique Christmas gift of probable fossilized Triceratops skin!
Our Science Blog - Canadian Museum of Nature
At the Canadian Museum of Nature, we look after 14.6 million specimens. We do research on those fossils, minerals, plants, and animals in our collections. Then, we tell the world about what we learned. Follow along as we work to better understand the natur
nature.ca
2021.02.17
Just trying to map out the size and rough location of scales from the Lane specimen data-on my new Triceratops model. There is a lot I still need to work data-on, like the head for instance. I'm still figuring out what that might look like. I already made the neck scales smaller in the model, I may have made them a little bit too big.
: 작업 중인 모델에 Lane 종에서 나온 피부 데이터들을 투박하게 위치시켜 봤다. 아직 머리 부분은 자료가 부족한데, 그곳을 어떻게 표현해야될지 고민중이다. 목 부분은 작은 비늘 피부 묘사를 이미 시작했는데 크기를 조금 키울 예정이다.
In 98 I did a subadult Einiosaurus sculpt. I wanted to show a young bull with its horn in the midst of dropping forward with ago yet still retaining a slight upward turn from it's juvenile state. The other picture below is my new second edition showing the full adult stage. Though the 98 version was speculative it does fall in line with current thinking.
: 98년 아성체 에이니오사우루스를 조형했다. 아성체 단계에서 마치 어린 황소처럼 뿔이 하강하는 와중에도 약간의 수직의 형태를 유지하는 모습을 보여주고 싶었다. 아래편 왼쪽 사진은 두번째 에디션으로서 완전한 성인 단계를 보여준다. 98년 버전은 추측에 불과했지만 현재도 그 생각에 변함은 없다.
Here is a Yoshi Trike skeleton from data-online. I added the tip of the horn in black to see how far I could go and still be relatively conservative.
: 아래 자료는 데이터 온라인에서 발견한 Yoshi 트라이크 골격도다. 나는 상대적으로 조심스럽게 얼마나 더 뿔 길이를 연장할 수 있을지 가늠해 보았다.
This is a quick pose. It shows a different configuration of the horns. More forward facing and slightly less curvature. Looks like the frill is longer too.
: 러프하게 포즈를 잡았다. 뿔 부분에서 미묘한 차이가 엿보인다. 복원도보다 정면으로 향하고 있으며 덜 굴곡졌다. 프릴도 살짝 길어보인다.
2021.03.13
Been slowly getting back into the new Trike. I think I'm gonna sculpt some bird or bird-ish thing so the modeler can add if they want that ox-pecker or egret data-on a big game animal feel. Any ideas for a species? Also, been avoiding the head for a while as I haven't found the character yet. If people are going to pose him with Regina Mundi then I want the big ol' trike to have have a "go ahead and try it" attitude. Regina Mundi has a huge Trike horn gash data-on her thigh, so this may be the same Trike she met a while back. I love the face and character of Johathan Banks who plays Mike Ehrmantraut in Better Call Saul and Breaking Bad.
: 트라이크 조형을 다시 만지기 시작했다. 오늘날 큰 사냥감 동물이 소등쪼기류새나 백로와 함께 있는것 같은 느낌을 살릴 수 있게 새 종류의 것들을 추가로 조형할 생각이다. 그 종에 대한 아이디어가 있다면 피드백 남겨달라. 또한, 케릭터를 부여할만한 아이디어를 발견하지 못해서 얼굴 부분은 작업을 피하고 있다. 만약에 'Regina Mundi'와 짝을 이루는 녀석이라면 나는 늙고 거대한 트라이크에게서 "덤빌테면 덤벼봐"라는 에티튜드가 보여지길 바란다. Regina Mundi는 그녀의 허벅지에 트라이크의 거대한 뿔에 찔린듯한 흔적이 남아 있는데, 그 상처를 만든 장본인이라고 가정할 수 있겠다. 나는 Better Call Saul과 Breaking Bad에서 마이크 어먼트라우트 역을 연기한 Johathan Banks의 얼굴 캐릭터를 좋아한다.
2021.03.13
So...This is a rough idea of Big John's head shape and size. This is data-only based data-on images from a video, and I'm assuming the camera had a 24-28mm lens? Who knows, but there could be a lot of distortion. If the size of the man in 6 feet, It comes close to the odd measurements in the article posted yesterday. Skull about 8'2"? Body length 26'. This thing's frill is really big. If anyone has better pics of the specimen please pass them data-on to me!
And yes...the head will have scales. But I might try some other things too
: 자, 여기 빅 존의 투박한 머리 형태와 크기에 대한 스케치가 나왔다. 이것은 영상을 캡쳐한 이미지로, 24-28mm 렌즈였던걸로 기억한다. 부정확한 정보지만, 꽤 심한 왜곡이 있다는 점 감안해달라. 인간 모델을 6피트로 가정하면, 어제 업로드된 기사의 내용과 비슷한 수치일 것이다. 두개골 8피트2인치? 몸 길이 26피트다. 프릴이 정말 거대하다. 누군가 이 종에 대해 더 정확한 데이터를 갖고 있다면 나에게 공유해달라! 아참.. 머리는 비늘로 표현하려는데, 하지만 뭔가 색다른걸 시도해볼까도 싶다.
I found Big John’s Instagram profile. In many of the images the skull looks much smaller than what I have here.
: 인스타그램에서 빅 존을 발견했다. 많은 두개골 사진들은 내가 구상하던 것보다 작아 보였다.
2021.06.25
Had some time to play around with my Triceratops. I'm experimenting with a hybrid model for the frill. Somewhere between the super cool keratinous head look and the scaled head look. I used this idea in an Albertaceratops painting I did 12 years ago, and thought it was worth exploring. Clearly I used a tortoise as inspiration. I'm reducing the epoccipitals quite a bit due to the age of my Trike. These are just an exploration, but I'm kinda digging it. Haven't even touched the face yet. At this point when I release this as a kit I might have two heads available, those for camp scales and those for camp Keratin, or camp curly horn or camp strait horn!
: 여유가 생겨 다시 트리케라톱스 작업을 시작했다. 프릴 묘사에서 혼합된 형태를 시도 중이다. 근사한 각질과 비늘 사이의 어디쯤. 이 아이디어는 내가 12년전 그린 알베르타케라톱스에서 가져왔는데, 충분히 탐구할 가치가 있다고 생각한다. 일종의 실험이지만, 완전히 몰두하고 있다. 아직 얼굴 부분은 건드리지도 못했다. 이 조형물을 키트로 공개한다면 비늘 형태와 케라틴 형태, 또한 굴곡진 뿔과 곧은 형태의 뿔! 두가지 버전의 헤드를 구성하고 싶은 생각이다.
2021.07.01
Ladies and Gentlemen. The ass of Triceratops. You're welcome.
: 트리케라톱스의 둔부 묘사.
2021.07.03
Almost done with the basic sculpting of my Triceratops. This is not the final pose but I didn't want to post a boring neutral model so I whipped this out. I think I'm still going to stick with the pose I came up with a while ago which I'll post below. Lots can still change with this, horns, wrinkles, muscle flexion, skin stretching etc.
: 트리케라톱스의 초기 형태 작업이 거의 완료됐다. 최종 포즈는 아니지만 뻔하고 따분한 사진을 올리고 싶지 않아서 가볍게 시도해봤다. 아래 추가적으로 계시된 사진처럼, 얼마전 떠올린 포즈를 계속 고수할까 싶다. 뿔, 주름, 근육의 굴곡, 피부의 당김정도 등등 아직 수정해야 할 부분이 많이 남아있다.
Here is the pose I might use. Look how much those giant scales occlude the muscle definition! Ceratopsian tails had a natural downward curve at the hips. yes, but I want the Trike to be almost dismissive of Regina. More “ go ahead, make my day”
: 아마도 내가 사용하게 될 포즈다. 거대한 비늘이 근육 선명도를 가리는걸 보라! 각공류 꼬리는 엉덩이에서 자연스러운 하향 곡선을 그린다. 그렇다, 나는 트라이크가 Regina를 무시하는것처럼 보이길 원한다. 마치 "덤벼봐, 오늘 끝을 보자"라는 식으로
2021.09.15
I'm getting close to the pose for the Triceratops. Lots of adjustments to do to give it more life, and lots of re-sculpting in areas that could be better or where the scales have stretched too much. It will be 1/18 at first. It seems 1/35 is taking over these days so a version that size is not out of the question.
: 트리케라톱스 포즈가 완성 단계에 접근했다. 좀더 자연스러운 느낌을 주기 위해 많은 조정이 필요한데, 완성도를 높이고 비늘 묘사를 유연하게 재조정해야 된다. 일단 1/18 스케일을 생각 중인데, 요즘 많이 통용되는 1/35 스케일도 고려 중이다.
Forgot to finish the caption on this one. I painted out the epoccipitals on this one. There seems to be valid points ( no pun intended) for either having the points retained from earlier ontogeny or having them blunt and resorbed in its old age.
: 언급을 깜빡했다. 나는 이것에 epoccipitals을 적용했다. 이전 개체 발생에서 포인트를 유지하거나 뭉툭하고 노년기에 흡수되도록 하는 데 유효한 포인트(말장난 의도 없음)가 있는 것 같습니다 (?)
That’s pretty much what I was going for. Glad it shows through in the expression.
: 결과물에 다 다랐다. 내가 원하던 표현들이 잘 들어나는것 같아 만족스럽다.
2021.11.25
Thought I’d do a test print of my Triceratops so I can see it in the round and see if anything bugs me. I’m already picking up some stuff that I don’t like and seeing details I need to amplify. The scale here is 1/54 (28mm) the finished one will be 1/18.
: 어색한 부분을 체크하기 위해서 트리케라톱스 테스트 프린트를 진행했다. 벌써 몇몇 거슬리는 요소들을 발견했고, 또한 디테일 묘사에서 정교함을 끌어올려야겠다. 이 출력물은 1/54스케일이며 최종적으로는 1/18이 될것이다.
This one is just a one off study model. I can stare at it through out the week and see what irks me. I used to outsource, but at the larger scales a print that size is about the cost of my own 3D printer. I’m using a Form 3. Super easy to use. Figured it out in 45 mins. The way light falls across an actual model brings out a lot of flaws, also I can “feel” if the sculpt seems grounded.
: 이것은 스터디 모형으로서, 일주일정도 시간을 갖고 어색한 부분을 찾기위한 목적이다. 출력은 주로 외주 맡기는데, 이것보다 더 큰 크기의 경우는 비용이 내가 직접 출력 하는것과 비슷하다. 나는 Form 3 프린터를 쓰는데 대략 45분정도 소요되고 사용하기 참 간편하다. 실제 조명아래에서 조명물이 자연스러운지 살펴보는데, 충분한 설득력을 갖추게 되면 '감'이 온다.
2022.01.29
I think I'm done. My 1/18th scale Triceratops horridus needs to still be printed out molded/cast before I can figure out a price and sell them. I have to figure out a name. I'm on the fence between Lance or Unkle Beazly. There is also a good chance I will mirror this entire model, in other words flop the whole pose so his head faces the other direction.
: 완성했다. 판매 단가를 정하기 앞서, 트리케라톱스 호리두스를 1/18로 출력하고 몰드 복제하는 과정이 남아있다. 이름도 정해야되는데, 현재 'Lance'와 'Unkle Beazly' 사이에서 고민 중이다. 또한 한가지 옵션으로서 모형을 좌우 반전 시켜 대칭되는 형태의 얼굴과 포즈 모델을 시도해볼까 싶다.
The birds are Cimolopteryx. I'll double check their size, but if they are too small they may not cast or print well.
Aha! Heres a link to the storyboards I did to help sell The Enormous Egg to a studio. Heres Uncle B!
: https://fb.watch/aQJU0Go5HP/
: 새는 키몰롭테릭스 종이다. 사이즈는 더블체크 했지만, 출력물이 너무 작을 경우 취소될 수도 있다.
아하! 여기 책 The Enormous Egg를 판매할때 도움을 주기 위해 내가 만든 스토리보드가 있다. 이녀석이 Uncle B이다!
Thats awesome. I tried to rewrite the story but it kept turning into Mighty Joe Young! I did do a little storyboard animatic to help sell the project. I'll post that again at some point...It can be found somewhere on Facebook! edit...heres the link.
: https://fb.watch/aQJU0Go5HP/
I used a scan of Hatcher's head to sculpt over, but I made some changes. There are so many Triceratops to choose from!
I often print these things at 1/19 ish so they fit in with both scales. I’ve been doing 1/18 since 1997 so it’s my established scale.
: Hatcher의 머리를 스캔해서 조형했지만, 몇가지 변경이 있었다. 트리케라톱스 종은 아주 다양하다. 나는 때때로 18과 20 모두에게 어우러질 수 있도록 1/19 스케일로 출력한다. 1997년도부터 1/18 스케일 작업을 시작해왔기에 그것은 나의 주력 스케일 중 하나이다.
2022.03.12
Thanks to Raul Ramos, I now have a cut up Triceratops model. I will start printing Uncle Beazley’s parts as soon as I can.
: Raul Ramos에게 고맙게도 현재 트리케라톱스 모형 분할을 완료했다. 곧 비즐리 삼촌의 파츠 출력이 시작된다.
2022.03.30
1st print of Uncle Beazley. Turned out great! Printing the body now, which will take 24 hours.
: 브즐리 삼촌 1차 프린트 결과물이 꽤 근사하다! 몸통 부분도 출력 중으로 시간은 대략 24시간쯤 예상한다.
2022.04.01
Torso of Uncle Beazley is done printing. It was about 28 hours of printing. Here’s a couple videos for you. I soaked the print in hot water so the supports come of really easily. The other shows the print in progress and the last one shows the rough fitting of the head on the body.
2022.04.04
A lightly tacked together 3D print of Uncle Beazley. I will let everyone know when they can order, where they can order and how much it cost in a little bit. Still need to sculpt a base and get it molded and cast. 1/18 ( or 1/20) scale with the model length from horn to tip to tail tip 17”.
I’m sculpting the base right now and I’m pretty sure the two bases will not interlock. It would require a reeeeeeallly long base and would terrible. If someone wanted to make the two face off like the pic above I’m sure a little bit of simple modeling would work. Also, to keep the price of the kit down I need to keep the base compact.
The Triceratops will stand a lot taller when its on its base, so the two will be a little more face to face.
'팔레오아트 Paleoart > David Krentz' 카테고리의 다른 글
| 주청티라누스 시노케라톱스 Zhuchengtyrannus vs Sinoceratops (0) | 2022.07.11 |
|---|---|
| 티라노사우루스 다이노소어 레볼루션 Dinosaurs of Dinosaur Revolution (0) | 2022.06.11 |
| 울라 존카터 John Carter Woola (0) | 2022.06.06 |
| [DB] 데이비드 크렌츠 David Krentz (0) | 2022.06.05 |
| 티라노사우루스 David Krentz - Tyrannosaurus 'Regina Mundi' (0) | 2022.03.17 |
